The Cast of 'Weapons' on Zack Cregger's Chaos Set and the One Scene That Broke Them
A group interview with the ensemble of the year's most-talked-about horror film — and why the kids keep coming back.
Creative director at Movement Strategy, longform interviewer at Newsweek, SYFY & Inverse, editor of a zine my friends tell me I should print more often.
Brand films, campaign leadership, editorial franchises, and interviews with anyone who's ever been told to "tone it down."
Email me →An integrated campaign repositioning Prime Video's awards-season doc slate as a loud, late-night hang — not a prestige lecture.
Spotify-adjacent audiobook launch: a campaign built around the idea that great narration is performance, not recitation.
A monthly Letterboxd-flavored social franchise for SYFY — long copy, deep cuts, and a cast of semi-obscure hosts.
A voice + tone system for Movement Strategy's in-house copy team — 60 pages, zero jargon, fully yellow.
An independent print zine of interviews with working actors you've seen in 50 things but can't quite place.
Branded content series for a DTC hotel client — scripts, casting, and set direction for a 6-episode run.
My team voted, and the certificate is framed. I lead copy, art, design, animation, and edit — I brief them, defend them, and make sure the notes don't kill the idea.
A group interview with the ensemble of the year's most-talked-about horror film — and why the kids keep coming back.
A taxonomy of sequels that left Earth, ranked by how much we forgave them.
" Emily walks into a room with three ideas and leaves with one everyone wants credit for. She is also very funny, which should count for more than it does. "
" Best writer I've ever worked with. She can edit a brief in her head and send it back as poetry. Also: unafraid to kill a darling. Mostly mine. "
" Emily's interviews are the rare kind that the subjects email us about afterward — asking for the transcript. That is the whole job. "