The Cast of 'Weapons' on Zack Cregger's Chaos Set and the One Scene That Broke Them
A group interview with the ensemble of the year's most-talked-about horror film — and why the kids keep coming back.
Creative director at Movement Strategy, longform interviewer at Newsweek, SYFY & Inverse, editor of a zine my friends tell me I should print more often.
Brand films, campaign leadership, editorial franchises, and interviews with anyone who's ever been told to "tone it down."
Email me →An integrated campaign repositioning Prime Video's awards-season doc slate as a loud, late-night hang — not a prestige lecture.
Spotify-adjacent audiobook launch: a campaign built around the idea that great narration is performance, not recitation.
A monthly Letterboxd-flavored social franchise for SYFY — long copy, deep cuts, and a cast of semi-obscure hosts.
A voice + tone system for Movement Strategy's in-house copy team — 60 pages, zero jargon, fully yellow.
An independent print zine of interviews with working actors you've seen in 50 things but can't quite place.
Branded content series for a DTC hotel client — scripts, casting, and set direction for a 6-episode run.
My team voted, and the certificate is framed. I lead copy, art, design, animation, and edit — I brief them, defend them, and make sure the notes don't kill the idea.
A group interview with the ensemble of the year's most-talked-about horror film — and why the kids keep coming back.
A taxonomy of sequels that left Earth, ranked by how much we forgave them.
"Emily walks into a room with three ideas and leaves with one everyone wants credit for. She is also very funny, which should count for more than it does."
"Best writer I've ever worked with. She can edit a brief in her head and send it back as poetry. Also: unafraid to kill a darling. Mostly mine."
"Emily's interviews are the rare kind that the subjects email us about afterward — asking for the transcript. That is the whole job."